Located in the heart of the beautiful Catskill Mountains of New York State, ESRM is dedicated to bringing alive the history of the railroads, their people and the towns they served, to the residents and visitors of the Catskills and the greater Hudson Valley. Established in 1960, our museum is open to the public weekends and holidays from Memorial Day through October. We look forward to your visit!
From the late 1800's through the 1940's the rugged steam locomotives of the Ulster & Delaware; Catskill Mountain Railroad; New York Central; New York, Ontario & Western; and Delaware & Northern climbed their steep and winding mountain grades bound for the grand hotels and humble boarding houses of the Catskills Mountains. They returned with lumber, bluestone, dairy and agricultural products of the region for transport to the New York City metropolitan area. ESRM is dedicated to bringing alive the history of these railroads, their people and the towns they served, to the residents and visitors of the Catskill Mountains and the greater Hudson Valley.

Museum Village was the vision of Roscoe William Smith, an electrical engineer, entrepreneur, philanthropist and collector who contributed to his native Orange County in many ways during his 99 years. Roscoe made his fortune as founder of the Orange and Rockland electric company in 1905. The wealth he generated from his successful company and investments allowed him to give back to the community in many ways. Probably Mr. Smith's most cherished gift to the local community was Museum Village of Old Smith's Clove. Mr. Smith was passionate about American history and was an avid collector of Americana. His collection varied widely, from textiles and porcelain items to horse-drawn carriages. His main interest, was in craft tools and mechanical devices: their invention, adaptation and development which he realized were slowly disappearing.

One of the most overlooked eras of art is the European 19th to early 20th century works of such artists as Alma-Tadema, Barye, Leighton, Merson, Navez, Picou, Troyon, and Vernet. The Dahesh Museum of Art was opened with the sole principle of bringing these incredible pieces of art to life. The genesis esperienced at this Manhattan museum expands knowledge and impacts the world with these forgotten treasures. Within its cozy and small interior lie several exhibitions that showcase these artists and promote the vision on which the museum was founded. As the museum is more geared towards the education on this lost period of art, patrons are able to enjoy in-depth analysis of the work as presented by the museum curators. In Spring and Summer 2012, the museum has continued to acquire new and unique pieces with special focus being drawn to a variety of oil on canvas works which are sure to open eyes and enchant minds to all who visit. The Dahesh Museum of Art is more than just another theater district tourist attraction; it is an added value experience of a lost era that Manhattan is proud to call its own.

The Bytown Museum tells the story of Ottawa’s first century.
The Museum is located in the heart of downtown Ottawa, at the Rideau Canal locks between Parliament Hill and the Château Laurier – one of the most picturesque sites in the city.

Museum Trustees and staff have moved with resolve and no small measure of courage to begin construction of a new Museum building to protect our collection from storm and to welcome our visitors. Please visit, become a member, and if you are able to do so at any level, make a financial contribution. Our website provides you an easy way to do so online.
The landmark building will be realized as a collaboration between architect Yann Weymouth of HOK, the Museum staff, and the builder the Beck Group. Built more efficiently than many contemporary museum structures, the new Dali combines elements of the classical and the fantastical – much like the work of Dali.

The Museum of Idaho is Idaho's premier national traveling exhibit museum and is dedicated to preserving and showcasing the natural and cultural history of Idaho and the Intermountain West. The museum does this by developing regional educational programs in the sciences and humanities, and by hosting nationally acclaimed exhibitions including "A T. Rex Named Sue", "Discovering Idaho: The World of Lewis & Clark", "Space Journey", "Savage Seas", "Guns & Hooks", "Ink & Blood", and "World of the Pharaohs". The Museum offers traveling and permanent displays, presentations, educational programs, and a reading and reference library.

As a patrimonial and historical site, the Musée Laurier welcomes, each year, thousands of visitors from all around the world. The Musée Laurier holds an important collection of works by Canadian artists and presents prestigious exhibitions regularly. Moreover, the institution offers a variety of activities for all the family. Welcome to the land of Sir Wilfrid Laurier!

Home for the Museum since 1916, the Griswold House is a National Historic Landmark and an Official Project of Save America’s Treasures. Designed in 1862 by famed architect Richard Morris Hunt, it was completed in 1864 for John N.A. Griswold, a China Trade merchant and financier. Griswold House was Hunt’s first major commission in Newport and is the premier example of American Stick Style architecture. Hunt went on to design many of the grand cottages of Newport’s Gilded Age, including The Breakers, Marble House, and Ochre Court.
The Griswold House currently houses restored rooms, galleries, a children’s art classroom, administrative offices, a lecture hall, and the Griffon Shop. The surrounding park and sculpture garden is used for many outdoor programs during the summer months.

The mission of the Frederic Remington Art Museum is to collect, exhibit, preserve and interpret the art and archives of Frederic Remington. We foster an appreciation for and understanding of the artist by educating our audience in the visual arts, providing a context for Remington's art and times, and offering hands-on opportunities to individuals of all age groups.
The Frederic Remington Art Museum, located in Ogdensburg, New York, houses a comprehensive collection of original Remington paintings, sketches and sculptures, as well as a broad array of personal effects and correspondence that serve to bring the artist and his vision to life.
Many of Remington's best-known sculptures and oil paintings can be found in the Albert Priest Newell Gallery. Changing exhibits of his North Country and Canadian watercolors, sketches, and illustrations hang in the Addie Priest Newell Gallery. Personal possessions, studio equipment, and memorabilia are displayed throughout the museum.

To create a children’s museum: a magical and inviting place for young people that would stir their curiosity and imagination. In this quickly moving world of technology, children’s museums give families an opportunity to slow down and actively share in their children’s growth. These wonderful places of discovery are designed to provide interactive experiences that foster curiosity in children and create a lifelong love of self-directed learning. The Children's Museum of the East End (CMEE - we pronounce it "see me") was formed to make this dream a reality.

"We’re more than just the first public art institution in the United States. We were the first museum in America to begin collecting contemporary American art – resulting in our world renowned Hudson River School collection. We staged the first retrospective of Pablo Picasso in America; we were the first museum to both exhibit and purchase works by Surrealist artists – today almost every exhibition about Surrealism includes works borrowed from our collection. We were the first art museum to also have a theater – and we were the first to show Gertrude Stein’s Four Saints & 3 Acts – which we also produced."

The museum's collection features the works of various African-American artists from both the 19th and 20th centuries as well as a selection of objects from the African continent. NCCU Art Museum has been called "the most important publicly assembled collection of African-American art in North Carolina" and boasts the works of artists such as Henry O. Tanner, Jacob Lawrence, and Minnie Evans.

The Elgin County Railway Museum was incorporated in 1988 as a registered non-profit charity for the purpose of preserving and restoring the railway heritage of St. Thomas and surrounding area.
The railway has been a part of St. Thomas since 1856 with the completion of the London and Port Stanley Railway. Since then a total of 26 railways have passed through town making St. Thomas what is now known as the "Railway Capital of Canada".

The mission of the Musée des maîtres et artisans du Québec is to promote Quebec's cultural heritage, including the traditional arts and crafts of yesterday, and those of today, among local, regional and national collectivities.
Its artistic objectives are to increase awareness of traditional craft and artisanal practices, as well as contemporary craft and contemporary art. Also, the Museum accords a large place to the artistic and artisanal expression of the different cultural communities that enrich its local population and reflect the image of Canada today.

Visit Vancouver's old Coroner's Court to learn about the history of lawlessness and law enforcement in Vancouver. Also, check out the popular school programs, public tours and the unique gift shop. What's New:

When you come to visit us at Battlefield House Museum in Stoney Creek, you will find living history...
Experience life in the early nineteenth century, as our museum staff, dressed in period costume, demonstrate the lifestyle of the Gage Family.
Learn about the history of Battlefield House. This rural Upper Canada home was originally built here on the banks of the creek in Saltfleet Township, around 1796. http://www.battlefieldhouse.ca/

The Victoria Children's Museum, a registered charity with a board of committed community members, has begun developing plans and started fund-raising for the first children's museum in BC. The Victoria Children's Museum's mission is to inspire children to explore and discover their world in a creative, safe, hands-on environment, where fun and play magically transform into learning.

The Weitzel Gallery showcases canadian artist Al Nelson Weitzel's unique creations of wildlife, horse and western art.

It is one of the foremost cultural institutions in the world. The museum was founded in 1886; the archives in 1894. In 2003 these two organizations integrated to become British Columbia's combined provincial museum and archives, collecting artifacts, documents and specimens of BC's natural and human history, safeguarding them for the future, and sharing them with the world.
Each exhibit and gallery tells important stories about British Columbia and provides an engaging and thought-provoking window on the province's past, present and future.

In 1881, Arthur-Osmore Norton lived on Union Street in Coaticook. The Manor, commonly known as ``Norton Castle``, was constructed in 1912 and replaced the original house. At that time the Manor became the family's second residence where Norton conducted his business on occasion.
The architectural style of the building is typical of the Neo-Queen Anne style. The roof and exterior walls are covered with brown wood shingles characteristic of the Shingle style. Both styles reflect the American eclectic style. The wide balconies, fenestration, fieldstones and gables all contribute to its uniqueness and splendour.
In 1942, Harry and Mary Helen, Norton's two children, bequeathed the Manor to the Anglican Church of Canada. The church moved its boarding school for young girls, Bishop Mountain Hall, from Quebec City to Coaticook. Many young anglophone girls throughout the province boarded there until the Hall's closure in 1968. Subsequently, residents of the Dixville Home resided in the Manor for a few years.
Denise Beaulne was the first person in charge of the museum that was founded in 1964 and was located above City Hall and then in the Françoise-Maurice Library building. Her knowledge of both English and French families combined with her interest in cultural heritage and her devotion were key to the development of the institution that today bears her name. The museum was moved to the Manor in 1976 after the municipality of Coaticook bought the building.

At the Choco-Musée Érico, pleasure is not limited to the tasting of exquisite chocolate. Not only does the boutique exhibit artistic creations made entirely of chocolate, but it is in itself a true museum of chocolate, illustrating its history from the time of the Mayan civilization to the present day. In this place, you are invited to discover a collection of items originating in  Mexico, the Caribbean Islands and Europe.
A window overlooking the kitchen allows anyone who is so inclined to observe the artisanal chocolate making process.

The old town quarter is characterized by its colonial age buildings. As most of the towns in Greenland, Sisimiut has been spared of large fires. Consequently, a great deal of the colony administration buildings has been preserved. The greater part of these buildings belongs to Sisimiut Museum...

Museet blev startet i midten af 1960`erne som det første museum i Grønland. Samlingerne er siden udvidet gennem indsamling, fra udgravninger og med tilbageført materiale fra Danmarks Nationalmuseum. Museet har landsdækkende arbejdsopgaver indenfor arkæologi, nyere tids historie, kunst og kunsthåndværk. Museet rummer de centrale registre om fredede bygninger og fortidsminder og varetager fredningslovens bestemmelser om fredning af fortidsminder og bygninger samt deltager i naturfredning og byplanlægning.

"Two different accounts of the history of coal mining in County Durham are presented.
The first comes from The Victoria History of the Counties of England - Durham, published in three volumes in 1907. It contains a large section on the history of coal mining in the county. This work focuses on the detailed history and does not cover the social or practical side of the industry. We have reproduced the text up to the start of the nineteenth century.
The second comes from The History, Topography, and Directory of the County Palatine of Durham by Francis Whellan, second edition, published in 1894. Once again there is a large section of the history of coal mining in the county, however, it concentrates on the nineteenth century, but the major part covers the practical and the social side of mining during the nineteenth century.
The two works complement each other, and together present an overall history of the coal industry in County Durham. The history is nor complete without coverage of the twentieth century and the eventual demise of the industry - this topic is too large and complex to cover here and is best left to the many books on the subject. We do however, provide some information for the twentieth century in the individual pages on each colliery."