It might seem that an institution like a museum is carved in stone, but since its founding in 1912, the Delaware Art Museum has actually changed a great deal. Our Centennial Timeline, installed in the Museum’s Orientation Hallway, is a look at how things were and how they have changed, both here at the Museum and in the community that we serve. To put the Museum’s historical achievements in context, the Timeline mirrors notable Museum milestones with important local and world events.
A century ago, the Museum started life with an original purchase of approximately 100 Howard Pyle paintings. That collection has grown to include 12,000 works of art by great American masters such as Winslow Homer, artists of the Pre-Raphaelite Brotherhood, and well-known American illustrators. The Museum’s name and physical space have also changed considerably. Originally called the Wilmington Society of the Fine Arts, and then the Delaware Art Center, the Museum officially became the Delaware Art Museum in the early 1970s. And although we spent decades traveling around—with no permanent gallery space—the Museum now encompasses 80,000 square feet of exhibition and administrative space, four studio art classrooms, and a sprawling 9-acre sculpture park—the first of its kind in the region.

Imagine a museum dedicated to the region and nation's rich glass heritage. A place where examples of thousands of products can be viewed and compared and where the stories of people and processes come to life! The MAGWV provides this and much, much more.

The Wright Museum consists of three distinct sections: a home front gallery and theater, a two-story Visitor's Center, and the museum's military wing, which houses exhibits devoted to all branches of the armed services. Among the highlights of the museum's military exhibition is a large collection of fully-operational vintage military vehicles, including a 42-ton Pershing tank - the only known surviving example from the 1945 crossing at Remagen Bridge.
Twice a year, we make this collection available for rides for the general public. 2012 will mark the 15th year that the Wright Museum will host its annual Family Day event. The cost of admission includes two vehicle rides, a BBQ lunch, and much more.

Mission: To be the premier experience and best resource for information and inspiration about the lives of African American Marylanders. The museum seeks to realize its mission by collecting, preserving, interpreting, documenting and exhibiting the rich contributions of African American Marylanders from the state’s earliest history to the present and the future.

Sunday, October 16, 1859, Brown, accompanied by about 20 men, all fully armed, crossed the Potomac into Virginia (now West Virginia) at Harper's Ferry. They overpowered the watchmen at the following locations: the Baltimore & Ohio railroad bridge, the United States armory and arsenal, and the rifle factory above the town on the Shenandoah. They placed guards at those points and at the street corners of the town. Brown established himself in the thick-walled brick building at the armory gate, one room of which was the quarters of the watchman and the other contained a fire-engine. He then sent six men, to seize the principal citizens in the neighborhood and incite those of African decent to rise and join in the insurrection.

Find your smile at the National Museum of Dentistry! Smile-inspiring exhibitions and innovative programs make a national impact to educate the public about the importance of good oral health to a healthy life.

Come experience the only remaining examples of the N&W's legendary success at the Virginia Museum of Transportation: the N&W Class A 1218 and the Class J 611. In our Rail Yard, explore historic steam and diesel engines, cabooses, and other rail equipment as modern trains rumble past. Inside the Museum, enjoy model trains, hands-on exhibits, and stroll among our antique automobiles, and truck and bus exhibits.

"We’re more than just the first public art institution in the United States. We were the first museum in America to begin collecting contemporary American art – resulting in our world renowned Hudson River School collection. We staged the first retrospective of Pablo Picasso in America; we were the first museum to both exhibit and purchase works by Surrealist artists – today almost every exhibition about Surrealism includes works borrowed from our collection. We were the first art museum to also have a theater – and we were the first to show Gertrude Stein’s Four Saints & 3 Acts – which we also produced."

The mission of the National Firearms Museum is to develop and manage educational programs that promote appreciation, understanding, and participation in gun collecting, and the preservation of the heritage of firearms through collection, conservation, exhibition and research as part of a nationally recognized museum in America.

The mission of The Brick Store Museum is to preserve the rich heritage of the Kennebunks for year-round residents, seasonal visitors and future generations through the collection, preservation, interpretation and exhibition of its material culture.
History - William Lord was born at Kennebunk Landing in 1799, the third son of Tobias Lord and Hephzibah Conant Lord. As a merchant and ship owner, Lord became one of Kennebunk’s most important patriarchs and citizens. In 1820 he married Sarah Cleaves of Biddeford, and they lived in what was then the Jonas Clark house at 20 Summer Street. It sits high on the hill and is now known as the William Lord Mansion, a private residence. It was here that Lord and his wife raised their large family of 10 children.

The Grey Nuns' convent, Winnipeg's oldest building, houses Le Musée de Saint-Boniface Museum. Built for the Grey Nuns who arrived in the Red River Colony in 1844, the structure is an outstanding example of Red River frame construction. The Museum presents an impressive collection of artifacts that reveal the lives and culture of the Francophone and Métis communities of Manitoba, including a special exhibit about Louis Riel, the "father" of Manitoba.

See, hear and do at one of the most enjoyable attractions in Edmonton! This Telephone Historical Centre is the largest of its type in North America. Perfect for all ages.
The Telephone Historical Centre opened to the public in 1987. It was founded by a group of ED TEL retirees who were dedicated to preserving the history of the telephone in the Edmonton area.

In 1881, Arthur-Osmore Norton lived on Union Street in Coaticook. The Manor, commonly known as ``Norton Castle``, was constructed in 1912 and replaced the original house. At that time the Manor became the family's second residence where Norton conducted his business on occasion.
The architectural style of the building is typical of the Neo-Queen Anne style. The roof and exterior walls are covered with brown wood shingles characteristic of the Shingle style. Both styles reflect the American eclectic style. The wide balconies, fenestration, fieldstones and gables all contribute to its uniqueness and splendour.
In 1942, Harry and Mary Helen, Norton's two children, bequeathed the Manor to the Anglican Church of Canada. The church moved its boarding school for young girls, Bishop Mountain Hall, from Quebec City to Coaticook. Many young anglophone girls throughout the province boarded there until the Hall's closure in 1968. Subsequently, residents of the Dixville Home resided in the Manor for a few years.
Denise Beaulne was the first person in charge of the museum that was founded in 1964 and was located above City Hall and then in the Françoise-Maurice Library building. Her knowledge of both English and French families combined with her interest in cultural heritage and her devotion were key to the development of the institution that today bears her name. The museum was moved to the Manor in 1976 after the municipality of Coaticook bought the building.

At the Glenbow Museum, intriguing stories from Western Canada connect with extraordinary art and artifacts from around the world. Combining a museum, art gallery, library and archives all under one roof, Glenbow boasts over a million artifacts and some 28,000 works of art in its vast collections and is one of the largest museums in Canada. Through a variety of dynamic programs and changing exhibitions and programs, and a broad collection of art, artifacts and historical documents, Glenbow Museum builds on a commitment to preserve our cultural and western heritage while simultaneously providing visitors with a glimpse of the world beyond.

The Firefighter Museum of Calgary's purpose is to acquire, restore, maintain and protect fire apparatus, pictures, equipment and memorabilia of the Fire Services' past.

The Canadian Ski Museum strives to promote an understanding, appreciation and celebration of Canada's skiing/snowboarding traditions and accomplishments, and their significance to Canadian life and identity.
Contained within the Canadian Ski Museum (CSMus) is the history of skiing in Canada. It is a record of people, their stories, activities, achievements and a wealth of fascinating artifacts. History is a continuum, the past unfolds and as it does, the CSMus will continue to record it, to collect the stories and memorabilia accompanying them.

The Museum is housed in the former Canadian National Railway station in Komoka, Ontario. When purchased as a museum in 1978, the building was moved to its present site north of the CNR tracks and adjacent to the Komoka Community Centre.
Many railroad items are available for close examination including telegraph keys, spike hammers, spike pullers, switch lanterns, steam gauges, a railroad safe, a baggage sleigh and a three-wheel velocipede.

The Gardiner Museum offers an intimate look at one of the world’s oldest and most universal forms of art and material culture—ceramics. Complemented by special exhibitions, the collection exceeds 3,000 historical and contemporary pieces and spans continents and time, giving you an extraordinary glimpse into the development of the ceramic process, decoration and shape.
Located across from the Royal Ontario Museum in Toronto’s charming Yorkville district, the Gardiner has undergone a major expansion of its gallery and studio spaces. It remains one of the city’s finest examples of modernist architecture.

Visit Vancouver's old Coroner's Court to learn about the history of lawlessness and law enforcement in Vancouver. Also, check out the popular school programs, public tours and the unique gift shop. What's New:

The Canada Agriculture Museum is living proof of the "Green Capital". In fact, Ottawa is the only world Capital that has a working farm at its heart. Canada's unique agricultural heritage is featured at the Canada Agriculture Museum, where you can explore the sights and sounds of typical farm life.
Visit the animal barns and special exhibitions at the largest urban working farm and research station in Canada. Discover the many breeds of dairy cattle and see a modern dairy barn in operation. In the Small Animal Barn you can meet sheep and lambs, pigs and piglets, chickens, rabbits and goats. In our Horse and Cattle Barn, you can see the Clydesdale horses and seven breeds of beef cattle. Wander through the Dominion Arboretum and the ornamental gardens right next door.

The Royal Alberta Museum's mission is to preserve and tell the story of Alberta - the experience of people and places over time - and inspire Albertans to explore and understand the world around them.

"Two different accounts of the history of coal mining in County Durham are presented.
The first comes from The Victoria History of the Counties of England - Durham, published in three volumes in 1907. It contains a large section on the history of coal mining in the county. This work focuses on the detailed history and does not cover the social or practical side of the industry. We have reproduced the text up to the start of the nineteenth century.
The second comes from The History, Topography, and Directory of the County Palatine of Durham by Francis Whellan, second edition, published in 1894. Once again there is a large section of the history of coal mining in the county, however, it concentrates on the nineteenth century, but the major part covers the practical and the social side of mining during the nineteenth century.
The two works complement each other, and together present an overall history of the coal industry in County Durham. The history is nor complete without coverage of the twentieth century and the eventual demise of the industry - this topic is too large and complex to cover here and is best left to the many books on the subject. We do however, provide some information for the twentieth century in the individual pages on each colliery."

The old town quarter is characterized by its colonial age buildings. As most of the towns in Greenland, Sisimiut has been spared of large fires. Consequently, a great deal of the colony administration buildings has been preserved. The greater part of these buildings belongs to Sisimiut Museum...

Museet blev startet i midten af 1960`erne som det første museum i Grønland. Samlingerne er siden udvidet gennem indsamling, fra udgravninger og med tilbageført materiale fra Danmarks Nationalmuseum. Museet har landsdækkende arbejdsopgaver indenfor arkæologi, nyere tids historie, kunst og kunsthåndværk. Museet rummer de centrale registre om fredede bygninger og fortidsminder og varetager fredningslovens bestemmelser om fredning af fortidsminder og bygninger samt deltager i naturfredning og byplanlægning.