The Vivian Beaumont Theater is a theater in New York City in the United States. It is located at Lincoln Center, 150 W. 65th Street, on the Upper West Side of Manhattan. It was designed by the renowned Finnish American architect Eero Saarinen. Although it was built for the presentation of plays such as those produced on Broadway, it differs from traditional Broadway theaters because of its amphitheater configuration and thrust stage. The building includes two auditoriums, the 1,080-seat Vivian Beaumont Theater and the 299-seat Mitzi E. Newhouse Theater (called The Forum until 1973). The Beaumont is considered a fairly large theater for dramatic plays and a medium-size theater for musicals. It is New York's only Broadway-class theater (eligible for Tony Awards) that is not located in the Theater District near Times Square. Source

The Ambassador Theatre is a legitimate Broadway theatre located at 219 West 49th Street in midtown-Manhattan.
Designed by architect Herbert J. Krapp for the Shuberts, the structure is unusual in that it is situated diagonally on its site to fit the maximum number of seats possible. Its external appearance, indistinguishable from many other Broadway houses, does not hint at the strange layout within. The building has been designated a New York City landmark.
The theatre opened on February 11, 1921 with the musical The Rose Girl. The Shuberts sold the property in 1935, and for the next two decades it was used as a movie theater and television studio for NBC and the DuMont Television Network. In 1956 the Shuberts assumed ownership again and returned it to strictly legitimate use. Source

On Broadway through March 30th only. Cat on a Hot Tin Roof.
Opened in 1924 and originally called the 46th Street Theatre, it was renamed in 1990 to honor the legendary composer Richard Rodgers, whose shows defined Broadway for over three decades. This theatres has been a house of hits hosting a long line of famed musicals including Anything Goes, Guys and Dolls, Damn Yankees, How To Succeed in Business Without Really Trying, The Best Little Whorehouse in Texas; Nine, Chicago, and Movin' Out.
The theatre was refurbished in 2006 and houses The Richard Rodgers Gallery featuring historic memorabilia from its namesake's storied career.
The Richard Rodgers has 1,319 seats and is one of The Nederlander Organization's nine Broadway theatres.

The Imperial Theatre is a legitimate Broadway theatre located at 249 West 45th Street in midtown-Manhattan. The theatre seats up to 1417 people.
The Shubert Organization's fiftieth venue in New York City, it was constructed to replace their outdated Lyric Theatre. Designed by architect Herbert J. Krapp specifically to accommodate musical theatre productions, it opened on December 25, 1923 with the Oscar Hammerstein II-Vincent Youmans production Mary Jane McKane. Since then, it has hosted numerous important musicals, including Annie Get Your Gun (1946), Fiddler on the Roof (1964), Dreamgirls (1981), The Mystery of Edwin Drood (1985), and Les Miserables (1990), which played at the theatre until 2003. Source

The Lyceum Theatre is a legitimate Broadway theatre located at 149 West 45th Street in midtown-Manhattan.
It has the distinction of being the oldest surviving Broadway venue (along with the New Amsterdam Theatre), the oldest continuously operating legitimate theatre in New York City, and the first Broadway theatre ever to be granted landmark status. It is one of the few theatres in New York to operate under its original name.
The theatre maintains most of its original Beaux-Arts design, including its elaborate marble staircases and undulating marquee. Although it has three levels, it is one of the smallest Broadway theatres in terms of capacity, seating only 950. An apartment located above the orchestra, originally used by Frohman, is now the headquarters of the Shubert Archives. Source

The Center for Performing Arts at Rhinebeck (known familiarly as The CENTER, and legally as Rhinebeck Performing Arts, Inc. or RPA) is a non-profit arts organization which offers performances and classes throughout the year. Performing and teaching artists are of local, national and international talent.
The Center serves as a regular performance venue for local theater companies including CENTERstage Productions (Death of a Salesman, Cabaret, My Fair Lady) the Gilbert & Sullivan Musical Theater Company (The Mikado, A Little Night Music, The Pirates of Penzance), Kids on Stage (Cinderella, The Emperor's New Clothes), Rhinebeck Theater Society (HONK!, The Complete Works of Shakespeare, Abridged, Oliver!), and Up In One Productions (Chicago, Fiddler on the Roof, The Wizard of Oz). The CENTER also hosts appearances by artists such as Jeff Boyer, Brian Bradley, Elaine Colandrea, Alpin Hong, Kitty Jones, Jeff McBride, The Puppet People, Solas an Lae, Tanglewood Marionettes, Pitchfork Militia, Barbara Rankin, and David Temple, to name a few.

One of the largest and most acclaimed professional theatre companies in the metro Washington, DC area, Round House Theatre is led by Producing Artistic Director Blake Robison, who joined the company in June 2005. Based in Montgomery County, Maryland, Round House Theatre produces nearly 200 theatrical performances each season at its 400-seat Bethesda theatre and 150-seat black box theatre in Silver Spring. The company operates an education center in Silver Spring and annually reaches over 40,000 patrons there and across the region with strong educational programs.

The Longacre Theatre is a Broadway theatre located at 220 West 48th Street in midtown Manhattan.
Designed by architect Henry B. Herts, it was named for Longacre Square, the original name for Times Square. The French neo-classical building was constructed by impresario Harry Frazee, better remembered as the owner of the Boston Red Sox who, needing money for his theatrical ventures, sold Babe Ruth's contract to the New York Yankees. A curse allegedly lingers on the theater as a result, and superstitious producers avoid it for fear they'll be backing a flop, as noted by William Golden in his seminal book The Season. Despite the rumor, a large number of performers who have appeared on stage here have taken home a Tony Award for their efforts.
The Longacre's first show was a production of the William Hurlbut-Frances Whitehouse comedy Are You a Crook?, which opened on May 1, 1913. With the exception of its use as a television studio in the mid-1940s to early 1950s, the theatre has operated as a legitimate Broadway venue. Source

The Bernard B. Jacobs Theatre is a legitimate Broadway theatre located at 242 West 45th Street in midtown-Manhattan.
Designed by architect Herbert J. Krapp, it opened as the Royale Theatre on January 11, 1927 with a musical entitled Piggy. John Golden leased and renamed the theatre for himself from 1932 to 1937, when the Shubert Organization assumed ownership and leased the theater to CBS Radio until 1940, when it was restored to its original use and name. On May 9, 2005, it was renamed for longtime Shubert Organization president Bernard B. Jacobs. Source

Lanford Wilson's Pulitzer Prize-winning comedy Talley’s Folly returns in a joyful and moving new production starring Tony Award® nominee Danny Burstein (Golden Boy, Follies) and Emmy® and Golden Globe® nominee Sarah Paulson (“American Horror Story,” Roundabout’s Crimes of the Heart).
At the end of World War II, Matt Friedman, a Jewish immigrant who has spent his life keeping others at a distance, returns to the small town where he first met Sally Talley. Nothing like her conservative Protestant family and neighbors, Sally is a nurse with deep misgivings about the country’s future. After a lifetime of believing they’ll never truly belong in the world around them, Matt has worked up the courage to ask Sally for her hand, and convince her that they do belong—together.
Michael Wilson (The Best Man, Roundabout’s The Milk Train Doesn’t Stop Here Anymore) directs this funny and heart-warming play about finding love when you’ve nearly given up looking.
Performances begin on February 8, 2013 with an Opening Night of March 5, 2013 at the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street). This is a limited engagement through April 28, 2013.

A partir da adaptação de um auditório da Escola Municipal Dom Aquino Corrêa, feita por um grupo que deixou o Tablado (Fábio Sabag, Germano Filho e Cláudio Correa e Castro), o Gláucio Gill foi inaugurado com nome de Teatro da Praça.
A homenagem ao ator Gláucio Gill ocorreu durante o governo Carlos Lacerda.

One of the largest natural amphitheaters in the world, with a current seating capacity of just under 18,000, the Hollywood Bowl has been the summer home of the Los Angeles Philharmonic since its official opening in 1922, and, in 1991 gave its name to a resident ensemble that has filled a special niche in the musical life of Southern California, the Hollywood Bowl Orchestra.

NEW YORK PREMIERE: THE NORTH POOL By RAJIV JOSEPH and Directed by GIOVANNA SARDELLI. FEB 14 - MAR 24. In this riveting psychological thriller, a high school vice principal and a Middle Eastern-born transfer student engage in a politically and emotionally charged game of cat and mouse, with dangerous consequences. A powerful new play from Pulitzer Prize finalist Rajiv Joseph, author of Bengal Tiger at the Baghdad Zoo, and recipient of The Vineyard’s Paula Vogel Playwriting Award.
Vineyard Theatreis a non-profit theatre company dedicated to new work, bold programming and the support of artists. One of America’s preeminent centers for the creation of new plays and musicals, Vineyard Theatre has consistently premiered provocative, groundbreaking works by both new and established writers.

The Broadhurst Theatre is a legitimate Broadway theatre located at 235 West 44th Street in midtown Manhattan.
It was designed by architect Herbert J. Krapp, one of the major theatre designers of the early 1900s. Built back-to-back with the Plymouth, it was meant to resemble the style of the neighboring Henry B. Herts-designed Shubert and Booth theaters, using less expensive brick and terra cotta materials on the facades. Like all of Krapp's work during this period, it features minimal ornamentation, a single balcony, wide space, and excellent sightlines. Unlike the Majestic Theatre, which has housed The Phantom of the Opera (musical) since 1988, the Broadhurst does not run parallel to the street, but rather the stage is perpendicular. Source

2013 Winter/Spring Season. Based on The Suit by Can Themba, Mothobi Mutloatse, and Barney Simon Direction, adaptation, and music by Peter Brook, Marie-Hélène Estienne, and Franck Krawczyk The renowned Peter Brook—whose 1987 production of The Mahabharata inaugurated the BAM Majestic Theater (now the BAM Harvey Theater)—returns with a music-filled adaptation of South African writer Can Themba’s piercing tale of simmering resentment and tragedy, The Suit. A wife caught in the act, her lover fleeing the scene, a suit left behind. It’s the perfect recipe for a husband’s punishing, humiliating decree: go on with business as usual, he says to his spouse, but take your lover’s suit everywhere you go as a ghostly reminder of your betrayal. Using an innovative staging that integrates live musicians directly into the action, Brook makes Themba’s volatile work sing. A hummed “Strange Fruit,” African melodies, and Schubert lieder thicken the tense, poisoned air of this apartheid-era summer in which a shared wound was not allowed to heal.
Dating from its first performance in 1861, BAM has grown into a thriving urban arts center that brings international performing arts and film to Brooklyn. The first BAM facility at 176-194 Montague Street in Brooklyn Heights was originally conceived by the Philharmonic Society of Brooklyn as a home for its concerts. It housed a large theater seating 2,200, a smaller concert hall, dressing and chorus rooms, and a vast "baronial" kitchen. BAM presented both amateur and professional music and theater productions. Performers included Ellen Terry, Edwin Booth, Tomas Salvini, and Fritz Kreisler.

Yesterday…A place where thousands of young artists have stepped out into the spotlight and launched their careers. A place "where stars are born and legends are made." The legendary Apollo Theater is so much more than an historic landmark - it is a source of pride and a symbol of the brilliance of American artistic achievement. From 1934 when the Apollo first introduced its world-famous Amateur Night which launched the careers of legendary artists like Ella Fitzgerald, James Brown, Michael Jackson, D'Angelo and Lauryn Hill, the Apollo has maintained its position as the nation's most popular arena for emerging and established black and Latino performers.

Disney presents a musical that brings The Lion King's wildly popular story, the Oscar winning Elton John / Tim Rice songs, and an entire African landscape to the stage of the specially adapted Minskoff Theater. Directed and designed by Tony Award winner Julie Taymor, THE LION KING fills the theatre with sights and sounds of one of Broadways most imaginative new talents - all to bring new life to Disneys crowd pleasing story of a young princes adventure-filled journey to adulthood - and the throne.
Giraffes strut, birds swoop, gazelles leap! The entire savanna comes to life and, as the music soars, Pride Rock slowly rises out of the stage. This is The Lion King. The winner of six 1998 Tony Awards, including Best New Musical, it is the story of a young lion cub named Simba who struggles to accept the responsibilities of adulthood and his destined role as king. To bring the classic 1994 film to life, Disney turned to the story's roots, its rich mythology, powerful human drama and primal African rhythms to create a fantastic new musical unlike anything Broadway has ever seen.
The modern theatre, with a very large seating capacity of 1,621 seats, was designed by the architectural firm of Kahn and Jacobs and offers a spectacular view of the Great White Way from the glass front of the building on all levels of the theatre.

As mais novas salas da rede Teatros Art foram inauguradas em janeiro de 2009 e estão situado num dos shopping mais charmosos do Rio do Janeiro - o São Conrado Fashion Mall.
São mais 780 poltronas dispostas em 2 salas: uma de 490 lugares e a outra com 280, prontas para receberem os melhores espetáculos que circulam pela cidade, além de diversos eventos empresariais e culturais.

Localizada no coração de Copacabana, a Sala Baden Powell surgida com a reforma do antigo Cine Ricamar e assim batizada em homenagem ao grande violonista, falecido em 2001, tornou realidade o antigo projeto da Prefeitura de contar com um espaço nobre para ampliar ainda mais sua atuação na área cultural. A sala, projetada inicialmente como um local para a música, abriga hoje também importantes montagens do teatro musical brasileiro. Em respeito à população do bairro e às suas necessidades, a Terceira Idade recebe atenção especial. Lotação : 500 pessoas Fonte

O Teatro dos Grandes Atores, foi inaugurado em 1995, e é formado por duas salas, a Azul e a Vermelha, cada uma com 396 lugares. A sala Azul teve como primeiro espetáculo Apareceu a Margarida, estrelado por Marília Pêra. A sala vermelha iniciou sua programação com A Era do Rádio, dirigida e encenada por Sérgio Britto.

Bilheteria: A bilheteria funciona de terça a domingo a partir das 15h. • Nos dias em que não houver espetáculos até às 19h. • Nos dias de espetáculos até o início do mesmo. • Não fazemos reservas. • Não aceitamos cheques nem cartões de crédito. • Aos sábados e domingos, no período entre 16h30min e 17h15min, a venda de ingressos é exclusiva do espetáculo infantil

Uma estrutura grandiosa que mobiliza mais de 500 profissionais a cada evento para proporcionar espetáculos inesquecíveis desde a chegada à Casa até o encerramento e a saída em segurança.
Através da VIVO, a maior prestadora de serviços de telecomunicações do Hemisfério Sul, com mais de 30 milhões de clientes em todo o Brasil, toda essa experiência desembarca no Santos Dumont trazendo VivoRio, uma Casa de espetáculos que nasce no local mais privilegiado do País com arquitetura consagrada de Affonso Eduardo Reidy.

Ao lado do Circo Voador, uma antiga e desativada fundição de fogões e cofres estava sendo demolida. O ato de destruir um prédio tão lindo, antigo, inteiro e grande, era demais para os integrantes do Circo Voador, um grupo que valorizava a cultura brasileira de todas as épocas. As marretas soavam sovando a bela fachada da Fundição Progresso.

O Teatro Shopping Frei Caneca tem um dos maiores palcos de teatro do Brasil e sua infra-estrutura permite receber espetáculos simultâneos e dos mais variados seguimentos, prosa, musica, dança, entre outros, além de ter toda a infra-estrutura para receber eventos coorporativos de todos os seguimentos. Confira em nosso histórico, na pagina "histórico de espetáculos" o que já realizamos desde nossa inauguração e também nossa "ficha técnica" com todos a estrutura e equipamentos que o teatro disponibiliza para realização de seus espetáculos e eventos.

Em outubro de 1954 foi inaugurado o Teatro Maria Della Costa, de propriedade da atriz Maria Della Costa e do empresário Sandro Polloni, que apresentaram como espetáculo de estréia "O Canto da Cotovia"de Jean Anouhil, sob a direção de Gianni Ratto.
24 anos depois, em 1978, a Apetesp - Associação dos Produtores de Espetáculos Teatrais do Estado de São Paulo - durante a gestão do então Presidente Raul Cortez, adquiriu o Teatro Maria Della Costa, com a finalidade específica de prestar maiores benefícios aos seus associados.
17 anos passados, em maio de 1995, o Teatro Maria Della Costa não tinha condições de funcionamento, devido ao estado precário em que se encontrava. Durante a gestão do então Presidente Sérgio D’Antino, o mesmo passou por uma reforma geral, que se estendeu até 1996, tendo sido re-inaugurado com uma grande festa para toda a classe artística no dia 30 de julho de 1996.

O Centro Cultural do Banco do Brasil (CCBB) do Rio de Janeiro é um dos quatro CCBBs do país, que também existem nas capitais Brasília, São Paulo e Belo Horizonte. Os Centros são espaços multidisciplinares com programação regular (seis dias por semana), nas áreas de artes cênicas, cinema, exposição, ideias (palestras, debates, seminários etc), música e programa educativo. O CCBB oferece ao público uma programação cultural que é referência no Rio de Janeiro e no Brasil. Com projetos nas mais diversas áreas, o Centro tem um volume de freqüentadores comparável ao de outras grandes instituições culturais do mundo.
Nos vários campos da arte, a programação procura oferecer obras que vão do clássico ao experimental, do erudito ao popular, dos grandes mestres aos talentos iniciantes. Esses critérios de seleção permitem ao CCBB alcançar freqüentadores com os mais abrangentes níveis de interesse. Instalado no número 66 da Rua Primeiro de Março, o Centro Cultural Banco do Brasil é uma das jóias arquitetônicas da Cidade. Seus espaços, organizados e adornados com elementos neoclássicos, abrigam três teatros, sala de cinema, sala de vídeo, cinco salas de exposições, biblioteca com 140 mil títulos, museu e arquivo histórico, videoteca e salão para conferências e palestras. O freqüentador dispõe ainda de restaurante, casa de chá, bombonière e loja de produtos culturais.

O Centro Cultural Suassuna está localizado na Barra da Tijuca. No complexo do CCS são realizados eventos culturais e empresariais, tais como: teatro adulto e infantil, espetáculos de dança, shows, exposições, filmes, congressos, palestras, além de um calendário constante de cursos, wokshops e oficinas. O CCS tem como proposta trazer para adultos e crianças as novidades culturais, o que é aplaudido pela crítica e o que é sucesso entre o público do Rio de Janeiro e do Brasil.
O complexo abriga 2 (dois) teatros com capacidade para 280 pessoas cada um e galeria de arte.

Sua última proprietária, pretendia transformar sua casa num centro dinâmico da cultura contemporâneo. O imóvel foi doado ao Governo do Estado que nela desenvolveu, desde a sua inauguração, uma programação cujo objetivo era a integração do fazer artístico e do lazer cultural.