Em 18 de agosto de 1956, na capital federal, sendo presidente da República Juscelino Kubitschek (1902-1976), era inaugurado o Teatro Arthur Azevedo, pelo embaixador Francisco Negrão de Lima (1901-1981), então prefeito do Distrito Federal. Homenagem ao jornalista e escritor que no final do século XIX, dominou o cenário teatral do país. Arthur Azevedo (1855-1908) consolidou o gênero comédia de costumes da sociedade brasileira do final da monarquia e início da república, foi também um dos responsáveis pela construção do Theatro Municipal do Rio de Janeiro, inaugurado logo após sua morte em 22 de outubro de 1908.

A a volunteer-based community theatre whose mission is to create opportunities for community participation in theatre arts. This mission mandates inclusion and the development of diversity in the Company's artistic, volunteer, audience and donor bases. This goal is achieved through presenting plays and programs of noted artistic excellence, supporting volunteers and students with exceptional training opportunities, and allowing for the development of unique and/or original performance projects and events by Florida artists.

O Teatro Municipal João Caetano foi reinaugurado em 1995, após uma profunda restauração. O projeto de recuperação encarou um grande desafio que era respeitar os aspectos históricos e ao mesmo tempo dotá-lo de modernidade. Ao longo de sua história, o teatro sofreu sucessivas obras de reformas que foram alterando a forma original do prédio, adaptando espaços e desfigurando seus seus núcleos históricos, dando origem a um prédio com características de diferentes épocas. No entanto, a fachada manteve as linhas arquitetônicas neoclássicas da reforma de 1888 e 1889.

Dia 3, 4, 5 e 7 às 20h Dia 8 às 17h. Programa: BALLET O QUEBRA-NOZES. Música: Tchaikovsky Concepção, Coreografia e Mise-en-Scène: Dalal Achcar Solistas: Ana Botafogo, Cecília Kerche, Claudia Mota, Márcia Jaqueline, Karen Mesquita. Francisco Timbó, Cícero Gomes, Filipe Moreira, Denis Vieira. Cenários e Figurinos: José Varona Regência: Silvio Viegas,
Um dos mais bonitos prédios do Rio de Janeiro, localizado na Praça Floriano, conhecida como Cinelândia, no centro da cidade, o Theatro Municipal é a principal casa de espetáculos do Brasil e uma das mais importantes da América do Sul. Desde a sua inauguração, em 14 de julho de 1909, o Theatro tem recebido os maiores artistas internacionais, assim como os principais nomes da dança, música e da ópera brasileiras.

The Palace Theatre is a legitimate Broadway theatre located at 1564 Broadway in midtown-Manhattan.
Designed by architects Kirchoff & Rose, the theatre, built by California vaudeville entrepreneur and Broadway impresario Martin Beck, experienced a number of problems before it opened. E. F. Albee, one of the main executives for B. F. Keith and his powerful vaudeville circuit, demanded that Beck turn over three-quarters of the stock in the theatre in order to use acts from the Keith circuit. In addition, Oscar Hammerstein was the only person who could offer Keith acts in that section of Broadway, so Beck paid him off with $225,000. The theatre finally opened on March 24, 1913 with headliner Ed Wynn. To "play the Palace" meant that an entertainer had reached the pinnacle of his career, and it became a popular venue with performers like Sarah Bernhardt, Eddie Cantor, Bob Hope, Fanny Brice, Sophie Tucker, George Jessel, and Jack Benny. Source

A permanent home has long been a dream for the Roundabout Theatre Company. Since its establishment in 1965, Roundabout had moved from location to location, always searching for the next stop in what seemed to be a never-ending journey for permanency. From West 26th Street to West 23rd Street, from East 17th Street at Union Square then on to the Criterion Center, Roundabout seemed destined to live up to its name far too literally. All that changed in 1997, when The New 42nd Street Development project, backed by the City and State of New York, offered the historic Selwyn Theatre to Roundabout.

O Centro Cultural Telemar foi concebido como um espaço de convergência, dedicado à arte, à tecnologia, ao conhecimento, à cidadania. Agora ele passa a se chamar Oi Futuro, igualmente sintonizado com a contemporaneidade voltado para levar o público a viver experiências sensoriais aos seus espaços de visitação, que incluem galerias de arte, teatro, biblioteca e cyber restaurante. A Oi Futuro é um instrumento institucional que tem a missão de colaborar para reduzir as distâncias sociais do Brasil.

Ao lado do Circo Voador, uma antiga e desativada fundição de fogões e cofres estava sendo demolida. O ato de destruir um prédio tão lindo, antigo, inteiro e grande, era demais para os integrantes do Circo Voador, um grupo que valorizava a cultura brasileira de todas as épocas. As marretas soavam sovando a bela fachada da Fundição Progresso.

Firmando-se como um teatro de produção, tornou comercialmente viável um repertório que muitos achavam incompatível com o sucesso de uma casa de espetáculos. Mas em meio a isso, foi responsável pelo lançamento de autores ainda desconhecidos no Brasil, e acolhendo apresentações de outras manifestações artísticas que não o teatro, com o sentido de um verdadeiro centro cultural.
Com uma extensa lista de prêmios, suas produções, durante anos, foram reconhecidas e acolhidas por suas excepcionais qualidades. Alem disso o teatro tem hospedado muitos espetáculos de sucesso na cena nacional, sendo até hoje, na opinião dos próprios artistas, um dos teatros preferidos pelas condições que proporciona ao público e às produções.

O Centro Cultural do Banco do Brasil (CCBB) do Rio de Janeiro é um dos quatro CCBBs do país, que também existem nas capitais Brasília, São Paulo e Belo Horizonte. Os Centros são espaços multidisciplinares com programação regular (seis dias por semana), nas áreas de artes cênicas, cinema, exposição, ideias (palestras, debates, seminários etc), música e programa educativo. O CCBB oferece ao público uma programação cultural que é referência no Rio de Janeiro e no Brasil. Com projetos nas mais diversas áreas, o Centro tem um volume de freqüentadores comparável ao de outras grandes instituições culturais do mundo.
Nos vários campos da arte, a programação procura oferecer obras que vão do clássico ao experimental, do erudito ao popular, dos grandes mestres aos talentos iniciantes. Esses critérios de seleção permitem ao CCBB alcançar freqüentadores com os mais abrangentes níveis de interesse. Instalado no número 66 da Rua Primeiro de Março, o Centro Cultural Banco do Brasil é uma das jóias arquitetônicas da Cidade. Seus espaços, organizados e adornados com elementos neoclássicos, abrigam três teatros, sala de cinema, sala de vídeo, cinco salas de exposições, biblioteca com 140 mil títulos, museu e arquivo histórico, videoteca e salão para conferências e palestras. O freqüentador dispõe ainda de restaurante, casa de chá, bombonière e loja de produtos culturais.

On Broadway through March 30th only. Cat on a Hot Tin Roof.
Opened in 1924 and originally called the 46th Street Theatre, it was renamed in 1990 to honor the legendary composer Richard Rodgers, whose shows defined Broadway for over three decades. This theatres has been a house of hits hosting a long line of famed musicals including Anything Goes, Guys and Dolls, Damn Yankees, How To Succeed in Business Without Really Trying, The Best Little Whorehouse in Texas; Nine, Chicago, and Movin' Out.
The theatre was refurbished in 2006 and houses The Richard Rodgers Gallery featuring historic memorabilia from its namesake's storied career.
The Richard Rodgers has 1,319 seats and is one of The Nederlander Organization's nine Broadway theatres.

Inaugurado em Setembro de 1994, e localizado na Barra da Tijuca (Rio de Janeiro), o CITIBANK HALL - Rio de Janeiro está estruturado para abrigar todos os tipos de shows e eventos.
Contando com uma infra-estrutura grandiosa, a casa transforma qualquer evento em um verdadeiro espetáculo, oferecendo ao Rio um espaço à altura de sua tradição cultural.

Dias 19 e 20 de Janeiro 2013 - Os 7 Gatinhos de Nelson Rodrigues - Quatro irmãs se prostituem para juntar dinheiro para o enxoval da mais jovem, Silene, adolescente virgem de 16 anos. Mas um dia descobre-se que a jovem matara a pauladas uma gata prenha, que deu à luz a sete gatinhos vivos. E que também perdera a virgindade para um homem que chora por um olho só. A família, que depositava toda a sua esperança na pureza de Silene, começa a apodrecer, com a trama enveredando para um desfecho trágico. Direção: Lionel Fischer e Julia Stockler. Fundado em 1951 por Maria Clara Machado, o Tablado, contando com o patrocínio da Petrobrás e ajuda da Casa de Rui Barbosa, oferece "aulas livres" de improvisação para adultos, adolescentes e crianças a partir de 11 anos, uma vez por semana, com duração de 1h e 45m, ministradas por professores formados por Maria Clara.

O Teatro Poeira, de propriedade das atrizes Marieta Severo e Andréa Beltrão, pretende ocupar no pequeno e aconchegante espaço, não só preencher a lacuna deixada, desde o fechamento no início dos anos 70, do saudoso Poeira de Ipanema, mas, cumprir seu destino de abrir uma porta para o mundo incluindo todos os personagens, todos os lugares, todas as idéias e todos os sentimentos. É só o começo de uma caminhada.

Localizada no coração de Copacabana, a Sala Baden Powell surgida com a reforma do antigo Cine Ricamar e assim batizada em homenagem ao grande violonista, falecido em 2001, tornou realidade o antigo projeto da Prefeitura de contar com um espaço nobre para ampliar ainda mais sua atuação na área cultural. A sala, projetada inicialmente como um local para a música, abriga hoje também importantes montagens do teatro musical brasileiro. Em respeito à população do bairro e às suas necessidades, a Terceira Idade recebe atenção especial. Lotação : 500 pessoas Fonte

A Casa da Gávea é um empreendimento cultural que dirige suas atividades para o estudo, debate e divulgação das mais variadas formas de arte e cultura e para a produção de espetáculos teatrais, filmes, vídeos, edições de livros, programas de rádio, exposições e shows musicais. No âmbito teatral, as peças produzidas pela Casa da Gávea são levadas em turnês para as mais diferentes regiões do país, onde realizamos atividades paralelas a apresentação dos espetáculos, tais como cursos específicos e práticos sobre a atividade teatral.

The Cort Theatre is a legitimate Broadway theatre located at 138 West 48th Street in midtown-Manhattan. The Shuberts purchased the theatre in 1927.
Designed by Thomas W. Lamb, its facade was modeled after the Petit Trianon at Versailles, while architecture from the period of Louis XVI inspired the interior. The building was constructed by and named for former vaudevillean John Cort, general manager of the Northwestern Theatrical Association.
It opened on December 20, 1912 with Laurette Taylor starring in the play Peg o' My Heart, which ran for 603 performance, an auspicious start for the new venue. Numerous famous British actors have appeared at the Cort: Basil Rathbone played Dr. Nicholas Agi in The Swan in October 1923, and in April 1927 appeared as Vladimir Dubriski in Love is Like That. In October 1924 Henry Daniell appeared as Aubrey Tanqueray in The Second Mrs Tanqueray, was there again in August 1943 in Murder Without Crime, and in January 1946 appeared as Leontes in The Winter's Tale.
The theatre was used as a television studio housing The Merv Griffin Show from 1969-72. Source

The Circle in the Square Theatre is a legitimate Broadway theatre located at 235 West 50th Street in midtown Manhattan.
Designed by architect Alan Sayles, it is one of two theatres occupying the underground levels of Paramount Plaza, which was constructed as the Uris Building on the site of the famed Capitol Theater movie house. It originally served as the uptown home to the Circle-in-the-Square repertory company founded by Theodore Mann and Jose Quintero in 1961 in Greenwich Village. The first production, a revival of Mourning Becomes Electra, opened on November 15, 1972.
The rather small auditorium has a seating capacity of 650. It is one of only two Broadway houses with a thrust stage (the other is Lincoln Center's Vivian Beaumont Theatre).
The building also houses the Circle in the Square Theatre School, the only accredited training conservatory associated with a Broadway theatre, which offers a two-year training program in acting. Source

The Ritz Theatre & LaVilla Museum Celebrates the rich legacy of the African-American community that thrived in LaVilla for more than 100 years. The theatre and museum are revered as the premiere cultural institution in Jacksonville, Florida, showcasing art, music, drama, poetry, and African American history.
The stories and legends of LaVilla, known as the "Harlem of the South," live on within the walls of the refurbished museum and theatre. Ritz Theatre & LaVilla Museum is committed to reclaiming the past, celebrating the present, and embracing the future.

One of the largest natural amphitheaters in the world, with a current seating capacity of just under 18,000, the Hollywood Bowl has been the summer home of the Los Angeles Philharmonic since its official opening in 1922, and, in 1991 gave its name to a resident ensemble that has filled a special niche in the musical life of Southern California, the Hollywood Bowl Orchestra.

One of the largest and most acclaimed professional theatre companies in the metro Washington, DC area, Round House Theatre is led by Producing Artistic Director Blake Robison, who joined the company in June 2005. Based in Montgomery County, Maryland, Round House Theatre produces nearly 200 theatrical performances each season at its 400-seat Bethesda theatre and 150-seat black box theatre in Silver Spring. The company operates an education center in Silver Spring and annually reaches over 40,000 patrons there and across the region with strong educational programs.

Playwing this winter 2013: Mamma Mia! The world-wide smash Mamma Mia! is a heartwarming and funny new musical. On the eve of a wedding, a mother and daughter are suprised by the arrival of three men, one of whom may be the girl's father. You don't have to be a fan of the supergroup ABBA, who provided the 23 hit songs for Mamma Mia! to fall in love with this unforgettable new show, that will have you dancing in the aisles!
The Winter Garden Theatre is a Broadway theatre located at 1634 Broadway in midtown-Manhattan. Architect William Albert Swasey converted the former American Horse Exchange into a theatre for the Shuberts when they acquired the property. The fourth New York City venue to be christened the Winter Garden, it opened on March 10, 1911 with the early Jerome Kern musical La Belle Paree.
It was completely remodeled in 1922 by Herbert J. Krapp. The large stage is wider than those in most Broadway houses, and the proscenium arch is relatively low. The building is situated uniquely on its lot, with the main entrance and marquee, located on Broadway, connected to the 1530-seat Seventh Avenue auditorium via a long hallway, and the rear wall of the stage abutting 50th Street. Source

Lanford Wilson's Pulitzer Prize-winning comedy Talley’s Folly returns in a joyful and moving new production starring Tony Award® nominee Danny Burstein (Golden Boy, Follies) and Emmy® and Golden Globe® nominee Sarah Paulson (“American Horror Story,” Roundabout’s Crimes of the Heart).
At the end of World War II, Matt Friedman, a Jewish immigrant who has spent his life keeping others at a distance, returns to the small town where he first met Sally Talley. Nothing like her conservative Protestant family and neighbors, Sally is a nurse with deep misgivings about the country’s future. After a lifetime of believing they’ll never truly belong in the world around them, Matt has worked up the courage to ask Sally for her hand, and convince her that they do belong—together.
Michael Wilson (The Best Man, Roundabout’s The Milk Train Doesn’t Stop Here Anymore) directs this funny and heart-warming play about finding love when you’ve nearly given up looking.
Performances begin on February 8, 2013 with an Opening Night of March 5, 2013 at the Laura Pels Theatre in the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street). This is a limited engagement through April 28, 2013.

The Booth Theatre is a legitimate Broadway theatre located at 222 West 45th Street in midtown-Manhattan, New York City.
The venue was the second New York City theatre to bear this name. The first was built by Booth himself in 1869 on the corner of 23rd Street and 6th Avenue.
The Booth Theatre appeared in the West Wing episode Posse Comitatus. It hosted a fictitous charity performance of War of the Roses which an equally fictitious President Bartlett attended while pondering the planned assassination of the Quamari Defence Minister. Source

Now playing: Evita.
Opened in 1986, the Marquis Theatre is one of the newest theatres to be built on Broadway. Located inside the Marriott Marquis Hotel, it was designed to provide maximum comfort for audiences and actors while conveying a feeling of intimacy. The venue features expansive backstage, high ceilings, state-of-the-art acoustics, wide aisles, comfortable seats, ample restrooms and parking.
Since its opening, the theatre has showcased a series of hit musicals including Me and My Girl, Gypsy, Man of La Mancha, The Goodbye Girl, Damn Yankees, Victor/Victoria, Peter Pan, Annie Get Your Gun and Thoroughly Modern Millie. Before or after seeing The Drowsy Chaperone, theatergoers can dine at one of the fine restaurants located throughout the hotel.
The Marquis has 1,611 seats and is one of The Nederlander Organization's nine Broadway theatres.

Kodak Theatre is the crown jewel of the Hollywood & Highland Center retail, dining and entertainment complex located in the heart of historic Hollywood. The 3,332 seat theatre opened in November 2001 and soon thereafter became known to more than one billion people across the globe as the first permanent home of the Academy Awards®.
Built at a cost of $94 million, Kodak Theatre was designed by the internationally-renowned Rockwell Group to be as glamorous as its onstage artists and celebrity guests, yet capable of serving the enormous technical needs of a live worldwide television broadcast on Oscar® night. The naming of Kodak Theatre, in a 20-year marketing partnership with Eastman Kodak Co., was one of the most significant non-sports corporate sponsorships in history. Kodak’s prominence and long-standing connection to the film industry in Hollywood made the relationship a natural. In fact, for the 78th consecutive year, ever since the inception of the Academy Awards, Best Picture was produced on Kodak film.